"When you’re a star, they let you do it. You can do anything" — Donald J. Trump

      Renewed scrutiny of Trump’s ties to Jeffrey Epstein reminds us of just how Trump’s strategy with women—assaulting them without permission, on the assumption that legal accountability was unlikely—mirrors his strategy for governing. Grab ‘em by the institutions.

      And Trump has been mostly proven right, because the Supreme Court seems to be willing to let him do anything, to exempt him from the laws that prior Presidents had to follow.

      A couple of months ago, the major concern was what would happen when Trump defied the courts. A more complicated picture is now emerging. One that mixes quiet but unmistakable defiance of court decisions by the Trump administration with encouragement from the six Republican-appointed Justices who sit atop the judicial branch. This is an arguably worse scenario . . .

(An excerpt from the Substack of Don Moynihan, a professor of public policy at the University of Michigan.)

      It is a dilemma for art history when collected objects and artifacts are what remains of an artist’s legacy. The iconoclastic work of David Wojnarowicz (1954-1992), a prolific artist/activist who produced photographs, graffiti, paintings, sculptures, performances, music, videos and essays ranting against governmental, medical and societal stigmatization is on view at the Hall Art Foundation, Reading, VT, through November. 

      As an artist, he came of age in New York’s ’80s East Village gallery scene, alongside Keith Haring and Jean-Michel Basquiat. But he always remained an outsider. His art was highly political, angry and belligerent: his aggressive stance reflecting the harshness of his adolescence on the streets of Manhattan which included drugs and prostitution. He also lived with AIDS. His work was often in the crossfires of the culture wars before his untimely death in 1992. . . .

David Wojnarowicz, 10 May – 30 November 2025, Hall Art Foundation, Reading, Vermont. Courtesy Hall Art Foundation. Photo: Jeffrey Nintzel

      Ten of my faves (note I wrote "of my" vs. "my"— tunes I might have unintentionally left out might kill me otherwise):

·       “My One and Only Love,” John Coltrane and Johnny Hartman. Fell in love with it when it got played at a cousin's wedding a number of years ago. Trane's intro, which walks through the whole melody, is nonpareil.

·       The Band's cover of Dylan's “I Shall Be Released,” featuring Richard Manuel's haunting lead vocals.

·       Speaking of Zimmerman, I'd be remiss if I didn't include at least one of his as done by him. Let's go, somewhat arbitrarily, with “When the Ship Comes In.” Hard to beat, both melody-wise and lyrics-wise. …

·       “Oogum Boogum,” Brenton Wood. Unbeatable melody & delivery. . . .

PART OF A SERIES ON FAVORITE SONGS. FOR A PREVIOUS LIST, SEE HERE, HERE OR HERE.

      Let me admit it right at the top:

      I’m envious of the friend who’s been traveling all over the world, lazing on remote beaches, gallivanting with giraffes, walking the streets of an ancient capital, dining with high-level wines.

      I’m envious of the friend who has still another new book coming out this year, still another likely bestseller.

      I’m envious of the friend swimming in adorable grandchildren.

      I’m envious of the friend who sleeps effortlessly through the night.

      I’m envious of another friend who sleeps effortlessly through long airplane flights.

      I’m envious of the friend who still sees perfectly well at an advanced age — and has never needed to wear glasses.

      I’m envious of those who don’t feel envy, because envy is not a particularly honorable emotion to feel. …

     Life throws curves—at least it does to me. Sometimes large curves. I’m going to focus here on a few small ones.

     I assume people who meticulously plan are thrown off-balance by such little curves less often than I am, though I doubt it is possible to subtract all the unpredictability from life.

     I do not meticulously plan. That is not because I get a thrill out of being surprised. It is because I seem to be able to handle being surprised and because I’m usually too lazy for meticulous planning.

     The particular lesson on the unpredictability of life I want to share here is based on a few very small surprises that presented themselves while my wife and I were visiting the Seychelles Islands . . .

      First off: props to Tchaikovsky and the 1812 Overture. And hats off to Beethoven and his Fifth. 

      Mozart? He was good too.

      And while we’re at it, way to go Oscar Peterson, Dave Brubeck and Duke Ellington.

      But can any of them compare to Carlo Mastrangelo and his pulsating “Din-Din-Din” intro to “I Wonder Why” by Dion & the Belmonts in 1958? Or to Little Richard informing us that he’s “Gonna Tell Aunt Mary ‘Bout Uncle John”? 

      There’s something about kick-ass early rock n’ roll that rings my 78-year-old Bronx chimes. Or perhaps more correctly, that rings my half-Italian Bronx chimes. …

PART OF A SERIES ON FAVORITE SONGS. FOR PREVIOUS LISTS, SEE HERE AND HERE.

      I first visited Lenox, Iowa, in summer 1972, when Kathy and I were moving from Connecticut to Denver.

      Kathy’s grandfather, a lifetime farmer, was quiet and in poor health. But her grandmother, the town poetess, embraced me as a kindred spirit even though I was a New Yorker by birth, a city boy and an Easterner. Soon she was driving us both around the grid of dirt roads that intersected the fields of this small farming community, “visiting” an hour or two here and there with friends and neighbors to introduce us over cookies and a glass of lemonade.

      It was a way of life, slow, neighborly, grounded in community. Whatever squabbles might flare from time to time, the farmers relied on each other and likely still do. Iowa back then also voted Democratic nearly as often as Republican. (A Democrat defeated an incumbent Republican for the U.S. Senate that year though Republicans controlled the state senate.) Today the state is overwhelming red in its representation.

      I was curious how independent Iowans reacted to the mean-spirited cuts in health insurance and food resources under the big, ugly bill that just squeaked through the Congress to become law. I also wondered how the sharp escalation of ICE raids nationwide has played out in farming communities that rely on undocumented immigrants for work in the fields and meat-packing plants. …

      Smoking, apparently, is coming back. Well, sort of. According to a recent New York Times article, the habit is once again becoming a display of coolness and power. It’s all over movies and popular music. There are even “cigfluencers” now. Smoking is becoming hip again.

      Not in my circles, it isn’t.

      Ever since reading the article, I’ve been trying to think: do I know anyone who still smokes? And after I go through everybody I can think of—the very few never-had-smoked and the much more common used-to-smoke—the answer is I don’t think so.

      It does seem a bit odd because I can clearly remember that time not long ago when pretty much all of us puffed away. I remember walking into offices where a literal cloud of smoke hung over the desks (granted, these were newspaper city rooms, where everyone also had a bottle of whiskey in the top right desk drawer, but you get the point.)

      Bars and restaurants back then were filled with smoke. Arenas and college classrooms were filled with smoke. Buses, trains and airplanes—airplanes!—were filled with smoke. Even doctors’ offices were filled with smoke. …

      So, we all have been influenced by the music around us. Some probably more than others. I'd probably put myself on the far end of the scale, approaching whoever it is that can claim the title of "Have Listened to More Music Than Anyone."

      And the music has influenced me in so many ways. I'll leave description of "how" for another day. But for today, here is my list, with links to the recordings, of the top 10 songs that have continually played in my head for the past 65 years:

PART OF A SERIES ON FAVORITE SONGS. FOR A PREVIOUS LIST, SEE HERE.

     1. Johnny B. Goode (1958) This is the one. In my early years I heard music that my parents were often playing on the radio: Patsy Cline, Connie Francis, Frank Sinatra, Nat King Cole. But then, in 1958, I heard Chuck Berry singing Johnny B. Goode. That was it. It's still in my head today. It's the first song I learned to play. When I was in a band up until five years ago, it was the one song a night my bandmates let me sing.

      2. Twist and Shout (1963) Then came the Beatles, and everything else got pushed out the door. I still have the clearest memory of them playing on the Ed Sullivan show. New ballgame. 

      3. The Times They Are a Changin' (1964) No kidding! Thank you, Bob Dylan. …

      I’m getting dressed to go to the gym, and I really don’t feel like changing out of my comfortable capri leggings. But when I bend my knees, you can catch a glimpse of the top edge of my compression knee-high stockings, which I have to wear all the time.

      Ugh. Of course I change my clothes.

      To be clear, I’m hardly a gym rat (mostly I do Zumba classes), and it’s not as if I typically wear cute spandex activewear. I could surely get away with any comfortable clothing for my workouts. But obvious compression knee-highs (sheer ones, not the cute colorful winter ones)? No way.

      My husband would probably say I look “dorky.” Which is the equivalent at this age of “like an old lady.” It probably would be the same reaction if I wore baggy jeans. …

      When you get to a certain age, and you realize you probably have limited time left to do all the things you want to do, the smart thing would be to start doing all the things you want to do.

      Instead, like many of us, I procrastinate. Thinking we still have endless time, when we don’t.

      To be honest, I’ve been putting off writing about this, but it’s probably time for me to say something about it. I would have said something about procrastinating last week, but, you know, I just could never get around to it.

      But first, before I get to it now, let me tell you about the time my wife and I were driving in Italy and it was snowing and we don’t speak Italian. Or that may have been when we were in France, where it was raining and we speak French.

      Let me check. I have that information right here, somewhere. …

Here are three anecdotes involving members of my sometimes-peripatetic family to illustrate the remarkable increase in medical knowledge around the world in the past three decades:

1. In 1994 we spent a few months in Rostov, Russia’s fourth largest city, and one of my sons came down with a sore throat. The Russian doctor my wife took him to looked down his throat, with one of a bunch of tongue depressors that had been sharing a jar and, using only the faint illumination provided by the room’s one window, diagnosed tonsilitis and said the boy had to stay still and might be better off in a hospital.

Meanwhile, the nurse warned my wife that the boy would get “very, very sick” if he did not wear a scarf . . .

Here’s some of what we have seen recently that might be of particular interest to our generation. (Apologies for any pay walls.) Send us what you have seen at WritingAboutOurGeneration@gmail.com.

• 'Humans need solitude': How being alone can make you happier, Flora Tsapovsky, BBC, June 10, 2025

• Bruce Springsteen: ‘Time Is Finite, and Your Performing Time Is Finite’, Andy Greene, Rolling Stone, June 19, 2025

• Many Older People Embrace Vaccines. Research Is Proving Them Right. Paula Span, New York Times, June 14, 2025

• Snake Venom, Urine, and a Quest to Live Forever, Will Bahr, Wired, June 25, 2025

• Extreme Heat Linked to Accelerated Aging in Older Adults, Study Finds, Mohana Ravindranath, New York Times, Feb. 26, 2025

• I Asked ChatGPT a Simple Question. It Literally May Have Saved My Life, Jason Aten, Inc., June 26, 2025.

Click for more

      Before 11 o’clock this morning, we:

• Did a careful, slow walk around the outside of our house, taking notes about where rotted siding had to be replaced so we could email the contractor to ask if and when he could start work.

• After two in-person visits, made three phone calls and was on hold for a total of 40 excruciating minutes while trying to contact the computer repair shop working on installing a new battery in the laptop.

• Drove over to the credit union that has our mortgage and asked them to explain the incomprehensible letter we got saying our house did not have hazard insurance although our house does have hazard insurance.

• Checked back again with Google flights to see if it’s easier to fly to Cincinnati in October or should we go to Columbus — but would it be cheaper if we flew on Tuesday and then returned on Friday rather than leaving on Thursday and coming back on Monday?

      Oh, and we also had time to wonder: how do people who are not retired do all this? . . .

      Admittedly, on the face of it, my husband and I are virtually polar opposites (or so he would have you believe), as he recently noted on the occasion of our 55th wedding anniversary.

      But on some things, we’re so alike our children would readily attest to how predictably tedious we can be.

When one of us is alone with either of them, we often ask the exact same questions and respond the same way—almost verbatim. When we’re together, we often respond in unison, in near-perfect pitch. We finish each other’s sentences. How obnoxious, eh?

      True, I can’t abide seeing a movie several times in a row the way he does, but I’ve seen most of those same beloved movies many, many times—just not in succession. (And when he suggests naming our fiber-optic cable Gort, I agree and respond knowingly “Klaatu barada nikto.” All you ‘50s movies mavens will get the reference, of course).

      Our hands-down all-time favorite movie is “Casablanca,” which we’ve both seen dozens of times. If either of us walks into a room while it’s on the screen and happens on the scene where Rick nods approval for the band to play the Marseillaise—and the French drown out the Nazis’ singing of the German national anthem—our Pavlovian response is instant tears . . .

With the passage of Trump's death bill, we face the prospect of many great harms, including an archipelago of concentration camps across the United States.

      Concentration camps are sites of tempting slave labor. Among many other aims, the Soviets used concentration camp labor to build canals and work mines. The Nazi German concentration camp system followed a capitalist version of the same logic: it drew in businesses with the prospect of inexpensive labor.

      We know this and have no excuse not to act.

      What happens next in the U.S.? Workers who are presented as "undocumented" will be taken to the camps. Perhaps they will work in the camps themselves, as slaves to government projects. But more likely they will be offered to American companies on special terms: a one-time payment to the government, for example, with no need for wages or benefits. ,,,

(This is an excerpt from historian Timothy Snyder’s excellent Substack.)

      We are the rock and roll generation. We grew up with Johnny B. Goode and doo-wop. We mourned the Vegasization of Elvis, we welcomed the British invasion and grooved to soul. We suffered through disco, were fascinated by punk and grunge, were sometimes confused by rap.

      Rock has been the soundtrack of our lives. And so I started, the other day, to make a list of the best songs of our rock and roll era. It’s something Rolling Stone Magazine has done, several times. Entertainment Weekly did it, too, as have a slew of other publications. The Rock and Roll Hall of Fame has done it, but perhaps nobody has done it as well or as comprehensively as rock critic Dave Marsh in his book, “The Heart of Rock & Soul—The 1001 Greatest Singles Ever Made.”

      So, what could I—not a rock critic, not an expert, just another older white guy—possibly have to add? I freely acknowledge, after all, I’m not fully familiar with contemporary hip-hop, the music that has dominated popular culture for the last 25 years or so. I don’t know Young Thug from Lil Uzi Vert. Like many of us, I can’t tell House music from EDM.

      But then I realized in addition to the great and memorable songs everyone loves, the Hey Judes and Jumping Jack Flashes, each of us has a secret mental playlist of songs that have, somehow, stayed with us forever. . . .

The first in a series

Send us your “ultimate playlist” at WritingAboutOurGeneraton@gmail.com

      On virtually the eve of our nation’s 249^th Independence Day, the U.S. Congress descended to a level of travesty and tragedy I’ve rarely, if ever, witnessed.

      Alaska Sen. Lisa Murkowski cast the deciding vote for a bill that will cripple health care, devastate the poor, pour tens of billions into rapidly increasing, draconian immigration enforcement and balloon the national debt to dangerous levels

    She then announced she hoped the House will change the bill she voted for. It didn’t.

      “My sincere hope is that this is not the final product,” she told Axios. “The bill needs more work across chambers and is not ready for the President’s desk. We need to work together to get this right.”

      Only The New York Times noted that after the chaotic noon vote “most senators have quickly fled the Capitol. Their cars were idling on the plaza to ferry them to the airport” . . .

(This is an excerpt from Jerry Lanson’s excellent substack.)

      I’m a bike guy:

      But recently this lifelong bike guy, this guy whose identity was connected to pedaling if not hither and yon at least to the pool on 137^th Street, had the sad realization I was becoming increasingly wary of bicycles. Wary with cause.

      And that was before I had a little accident.

      I’ve fallen off my bike a bunch of times. However. never had I bumped into a pedestrian while on a bicycle or been hit by a bicycle while a pedestrian . . . until a few weeks ago.

      I was the victim. Knocked down by a bike while walking across a street. In Paris. …

      Folksinger Janis Ian was propelled onto the national stage at the age of 15 when Leonard Bernstein featured her in a 1967 television special, “Inside Pop: The Rock Revolution,” along with songwriters Lennon, McCarthy, Jagger, Dylan and others. Her controversial song “Society’s Child” about interracial dating had been banned on many radio stations, but Bernstein’s advocacy turned it into a Top 20 hit. 

      In 1975, Ian returned to the pop charts with her achingly beautiful ballad of teenage angst, “At Seventeen.” which became her signature song. Since then, major artists across genres, such as Nina Simone, Roberta Flack, Cher, Bette Midler, John Mellencamp, Barbara Cook, Nanci Griffith and Joan Baez have covered her songs. Dolly Parton, Willie Nelson and Mel Tormé recorded duets with her. Charles Aznavour and Shirley Bassey championed her work in Europe. Celine Dion included “At Seventeen” in her Vegas shows. 

      Throughout a kaleidoscopic career, Ian continued writing laments and affirmative anthems through bankruptcies, health emergencies, failed relationships and the vagaries of the recording industry. The artist in Ian always prevailed as she sang of perseverance and resiliency for legions of fans worldwide. And she is an accomplished writer of essays, science fiction and an acclaimed autobiography. …